是屬於線條的故事。流線與線條交錯、交織、交疊,嬉鬧與荒涼並存。猶如冬日裡刺眼強烈的陽光,只是照亮天寒地凍中空無一物的世界。一種矛盾的修辭風格以自由在單品間展開俏皮的對話,將它們組合起來,將長度並置,交替使用,愛馬仕將其一貫精確的結構以大膽新穎的比例呈現。
資料提供@HERMÈS
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雙排扣大衣、派克大衣和運動衫,採用絎縫羊毛和喀什米爾羊絨大格紋面料。180支緊實羊毛直筒短呢大衣和夾克,背面小牛皮,搭扣。防潑水雙面作工喀什米爾羊絨旅行大衣和雙排扣羊毛大衣,搭配小牛皮大口袋。三顆扣羊毛夾克,皮革編織細節。這些男士的神情中隱約浮現著玩耍嬉戲的感覺,機靈而活躍:雙腿向前,纖細而修長;步伐自信,充滿活力的身影。喀什米爾羊絨和法蘭絨、小羊羔絨和挺括的面料、不同的皮革紋理以及對珠寶的大膽選擇都有一種感性的誘惑。
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同樣明顯的是對衣服感性的關注,細節使他們能夠讓每件衣服都成為獨一無二,例如以隱藏式口袋,雙排扣大衣背面的皮革細節驚喜等等呈現。無菸煤、礫石、薄霧、焦糖、棕色、駝色、咖啡色、海軍藍、象牙和黑色,這些調色板展現出柔和的色彩,顏色逐漸豐富、相互呼應,散發出如冬日般強烈的光芒。
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在這些有故事的服飾中,可以讀到工匠的手作溫度,在這些皮革或網眼的編織材質中,就像多重生命的痕跡;在網格上的這些重寫正方形中;在夾克上的這些皮革碎片中;愛爾蘭絞花針織面料,色彩豐富,針腳紮實;在框架效果中,在開襟衫的絲綢連結處。
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